This and That

This and That

honesty is its own reward

at the cherry tree
where the blossoms turn
red on time
no ground is hollow

and the air conforms
to a parent wind
as it lulls leaves
inspires shoots
brings on
shameless blushes

swim with sharks and you'll cut your teeth

on the matter of being lonely

here:
(an inventory)
to show the trinkets that aligned
smaller than the human eye

the way one was caught, while it
perched, nervously

sought cloud cover and got instead
my box

as a keepsake place

another bumped into two others

a discussion had - a quick exchange led to a change of address

bypass phone numbers

some converted, some broke in

"trinkets welcome"

there is the idea of a vista -
where you add, the therapist says,
instead of remove

broaden, like a panorama, I say
she says: I like that word!

and that way the good eventually
shifts out the bad

so I add
so I always have added

in thinking - so in trinkets

not even seeking -
things washed up, things fresh bled

things gone dull,
before or since or as a result

it's hard these days to push closed the door
shapes so competing for the attention of renovation

pieces jar, pieces fit

then on the back of a flock of seagulls

a haul is brought in

from deep earth and far shore
in a net of smoke carried

to my door

known over there,
apparently -
the reputation of this small island girl

who places garlands, like a Hawaiian, around the necks of
pirates
leaves them unsworded

then goes to bed alone -
no shape in sight, no touch in feel
ing distance

just a day's work
done
for her supper
of the softest bed and bitter herbs

you can be free and not feel it but you cannot feel free and not be it

Because I don’t know how to say enough I miss you, I say this about you

Your thoughts are now beyond my finding out.
What you thought, for instance, when told I’d prepared lamb shank.
You smiled an approval, I heard, but I can never now pry as to why that was good.
Apart from the obvious - because you were always cooking love.
All your life you dished it up.
And I wonder if those who emptied their plates quite understood how you,
to the side, composed and not as calm as you appeared, denied yourself
somehow the indulgence of flavour and spice.
At least, to the degree where it was sufficient to satisfy.

the heart is a net with no holes

Scrawny, with cow’s eyes
Would not be the right description
But they were the words that seemed to hit
And so became the shorthand

This tantrum of talent and her hidden motivation

Too charitable to do charity with
- and that a part of the tragedy

So the cow eyes got duller
And then the mouth matched
- just stopped chewing the cud

Always
Sat by the door, first one to finish, and at least second-to-best scores

Yet no more a well done than a do better
Because, after all, she’s got it together

This wisp
This thing like a bruised reed that
God himself says he will not crush

Seemed haughty in aptness
And cold by defense

And so

No-one

No look in
No help and no warmth

It was written in her book to be brilliant
In a dozen fields at least

It was written she would find love
Well, he’d find her, and - there’d be kids!

She would never have seen that one coming
And it was meant as a surprise to top all
- it was written in

The winter dragged, the spring delayed
It was the push and pull of mood, and despair kept nearing

From in the brain but really, that’s not where it began

It was the gift of the ignorant
- those wise and those foolish -
Taking a skinny girl with sleepy eyes who was genius

To be so much tougher than she was

The first of spring’s daffodils set its head past the soil
(like the child that opens the womb)
On a day still cool

And then there were none

there is catch, and then there is capture

This and That
This and That
This and That

what begins with bait becomes surrender

@Mr Lewis
I met you on Holywood Rd. Just stepped off the 3A & there you stood.
Talking with the accrued authority of 50 yrs from behind the wardrobe.


(you may need to be Belfastian ...)

love is always of a free will

At the Two-Thirds Line

At the two-thirds line,
when looking how the land lies,
sits a run of trees packed dark against
November sky.
Scratch-black, the arms latch keenly
to the one in front
- so on and on, heads down.
These trees are bent west.
If in homage or from the taking of instruction,
no local knows.
But the traveller sees in the weft
of the wood’s protrusion a determined furrow,
burrowed slowly into the face
of this colony of branches,
petrified under burden.
Sea’s gale’s come at this land
again and again, has mastered.
But the observer makes out
in the posture of self-possession:
“Though warped, we are standing.”


November 2019,
The Ring of Hook.

kisses that come in the afternoon are sweeter than all before